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June 2013
Tis Pity She's A Whore.


STOP PRESS!!!



Millers Night

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The Crucible
The Crucible.

The Crucible

Performance dates: 13 -15 June, 2012. Gulbenkian theatre.

First performed in 1952, The Crucible may reasonably be described as one of the most profound plays of the post-war world. It is the story of the Salem witch hunt of 1692. Arthur Miller draws parallels between this event and the Mc Carthyism that gripped America in the 1950s and which he himself was caught up in.

In this classic parable of communal hysteria, Miller depicts a society in which positive evil is unleashed, taking the form of the persecution of minority groups and the interference of the State in the conscience of the individual.

As the small Salem community is stirred into madness and the play reaches its violent climax, the events it describes become a timeless vision of the evils of mindless persecution. A rending exploration of a community possessed by the demons of superstition, malice and fear.

As a savage attack on the ills of ideological intensities, The Crucible remains unrivalled.

Miller based this play on records of a series of witch trials in Salem, Massachusetts in 1692. The core of his version of these events is a love triangle involving John and Elizabeth Proctor and their former servant Abigail Williams.

Along with a number of Salem girls, Abigail has been seen dancing in the forest and is accused of practising witchcraft. She then becomes chief accuser in a witch hunt and singles out the innocent Elizabeth Proctor hoping to supplant her as Proctor’s wife. Things, however, do not go as planned.

The Crucible
The Crucible.
The Crucible
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The Crucible
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The Crucible.

 

The cast and crew.

Director:
Jill Akhurst
Jill Akhurst. Actor. Director.

Jill Akhurst
Director – Palace of Varieties; Bazaar and Rummage; Night Must Fall; The Crucible.
Director's Assistant The Accrington Pals
Singer of saucy songs; Actor Fallen Angels; Two; Arsenic And Old Lace; The Vortex; Dark of the Moon; Lady Chatterley's Lover.

I directed Night Must Fall twenty years ago in London, where it was a great success.  I had a good cast then, but I've got an even better cast now.  This is a superbly written play which, with good actors, cannot fail to keep the audience in a state of suspense right up until the last moment

Jill recently appeared at the Gulbenkian as Clara in The Vortex by Noel Coward and has sung the part of Lotte Lenya in “I’ve Looked in the Window at Diamonds” for the Really Promising Company.

One of her favourite roles was as Aunt Abby in Arsenic And Old Lace for the Canterbury Players in October 2009.


Director’s assistant
Jo Purvis
Jo Purvis. Actor.

Jo Purvis
Committee Member
Assistant Director: Day After the Fair; The Crucible
Actor: Canterbury Tales; Dark of the Moon; Pint Sized Henry V; The Importance of Being Earnest; Lady Chatterley's Lover.
Occasional Stage Manager: The Vortex

Jo has always loved the theatre and spent most of her childhood playing various Dickensian waifs and strays.

As a natural bossy boots, she relished the opportunity to hone her organisational skills as Assistant Director for Day After the Fair.

She made her first stage performance for the Players in the Canterbury Tales, whilst also reprising her key role of official tea-maker.

She is greatly looking forward to wearing yet another fabulous hat for her role in Dark of the Moon.


Properties:
Gill Moon

Gill Moon
Properties: The Crucible
Actor: Dark of the Moon; Night Must Fall.

This is Gill's first attempt at acting since joining the Canterbury Players in 2007 when she appeared in Palace of Varieties.

Gill met several Canterbury Players members while appearing in the community opera Promised Land which was part of the 2006 Canterbury Festival. This venture led to the forming of The Really Promising Company in which Gill has appeared in several shows.

She also appeared on stage as a slave with Ellen Kent's Moldovian Opera Company in Aida at the Marlowe theatre, and as a dead sailor singing Bright Eyes with the Spy Monkeys at the Gulbenkian Theatre in 2009.

This play appealed to Gill because of the fun of a barn dance and the church revival scene. So she was tempted to have a go!

Since joining Canterbury Players Gill has made many good friends and shared a lot of memorable times. She is thoroughly enjoying being part of Dark of the Moon production.
Gill


Sound: Colin Sherwood

Rev. Samuel Parris
Mike Rivarno
Mike Rivarno

Mike Rivarno
Assistant Director: Dark of the Moon;
Actor: Roleplay; The Accrington Pals; Dark of the Moon; The Crucible

Born in Southampton in 1967 and raised in the seaside town of Deal, Mike embarked on a love of the Arts at very early age, with the Cinema just down the road from his home and a family TV that for the most part was always available to him. The eldest of 3 kids to a single hard working mum he was left pretty much to his devices. Like a lot of kids at that time the films of Steven Spielberg and George Lucas were a constant source of entertainment and for Mike, inspiration.

In 1983 at the age of 15 the School he sometimes attended was putting together the first ever stage version of Alan Parker's Movie Musical ‘Bugsy Malone’ and Mike was awarded the role of Fat Sam Staccetto. The performance he gave is still mentioned to him to this day and the enthusiasm he received from people made him want to do a whole lot more, yet as he turned 16 and left the family home commitments to work and constantly changing his address restricted his ability to commit to the roles that came up in the local Dramatic groups.

 

It wasn’t until 1999, when he returned to his hometown of Deal that he was able to really get into a more regular pattern of drama, switching between the towns two rival groups he found himself performing in a lot of comedy farce and one or two pantomimes. In 2001 the town had a new group emerge and the chance to do some more dramatic work presented itself and Mike soon found himself performing in plays by authors like Harold Pinter, Debbie Isitt and Eugene O’Neil.

Having lived in the village of Ash since 2003 he has been working with Canterbury Players for much of that time and recently performed a play with Ashcan Theatre Company. He still gets the same buzz backstage now as he did way back in the summer of ’83 and is always looking forward to the next exciting challenge to present itself.

Selected work from the past:

On An Average Day 2009
The Accrington Pals 2007
Roleplay 2005
My Boy Jack 2005
Lord Arthur Savile’s Crime 2004
Hobson’s Choice 2003
Whose Life Is It Anyway? 2003
The Woman Who Cooked Her Husband 2002
Betrayal 2001
Abigails Party 2001
Bugsy Malone 1983


John Proctor
Ed Clark
Ed Clark

More about Ed

Ed Clark
Actor: Roleplay; The Accrington Pals; Blue Remembered Hills; The Crucible

Ed has played a variety of roles over the last few years and keeps up his skill set in a number of other disciplines, including singing and sports, making him a very useful member of the Players and to others, including film and tv production teams etc.


Elizabeth Proctor: Stella Parkinson
Rev. John Hale: Edward Shambrook
Abigail Williams: Hannah Marsden
Betty Parris: Anna Palmer
Tituba
Ruth Cameron
Ruth Cameron

Ruth Cameron.
Actor: Much Ado About Nothing; Bazaar and Rummage; Arsenic And Old Lace; The Vortex; Night Must Fall; Lady Chatterley's Lover; The Crucible.

Ruth was a singing, dancing, and acting child and won the best actor prize for Lady Macbeth at age 16. Despite gaining a provisional place at the Hampstead School of Drama, she did not follow an acting career. In the 1980s Ruth co- produced a school pantomime with the writer John Larr and took part in local sketches, but then did not return to drama until 2006 when she joined the Canterbury Players; Ruth has been involved in most productions since. This includes singing in Marie Lloyd songs in "Palace of Varieties", being an attendant in "Much Ado About Nothing" and performing the outrageous, yet poignant part of the blaspheming vulgarian Margaret Gittings in "Bazaar and Rummage" the 'innocent' murderess in “Arsenic And Old Lace” and the shocking socialite Florence in Noel Coward’s “The Vortex”.


Susanna Walcott:
Charlotte Riding

Charlotte Riding
Actor: Dark of the Moon; The Importance of Being Earnest; The Crucible

I have always enjoyed acting took part in school plays but really got into acting when I started studying at Canterbury College, where I left with a BTEC National Diploma in Performing Arts (Drama).

Dark of the Moon is my first show with Canterbury Players and I have loved every minute of it!!! Hopefully they will let me back to do more productions.

I would just like to thank all the players for being so welcoming. You're all great!!!!



Ann Putnam
Natalie Johnston

Natalie Johnston
Actor: Dark of the Moon; The Crucible

Nathalie’s love for the theatre first started at the age of 3 when she was awarded a special diploma for her interpretation of “My Little Pony”. After 10 years of training with several theatre schools, including Sylvia Young’s, she then went on to become a devoted member of Kingston University’s drama group, winning an award for Shakespeare’s "The Tempest".

She has truly loved all the roles she’s been lucky enough to play. However, a recent delve into the world of Shakespeare (playing Beatrice and Lady Capulet) was without doubt one of her most enjoyable acting experiences so far. In 2007, together with a fellow acting colleague, she established "Why Not Theatre Company" in Copenhagen, Denmark. It soon became one of Denmark’s leading English-speaking theatre companies producing a variety of international plays from Ayckbourne to Athol Fugard. Her recent move back to England and her “need” to connect with anything in the thespian world has lead to her finding The Canterbury Players. She is thoroughly enjoying her role in their current production, Dark of the Moon.


Thomas Putnamt
Jim Akhurst
Jim Akhurst

Jim Akhurst
Actor: The Accrington Pals; Palace of Varieties; Fallen Angels; Arsenic And Old Lace; The Vortex; Dark of the Moon; The Crucible

Jim was recently cast as the playwright Bertolt Brecht in “I’ve Looked in the Window at Diamonds”, a musical show about the life of composer Kurt Weill.  Brecht wanted to “keep the audience guessing at what will happen next” and Dark of the Moon has a few surprises for the audience.

Over the past few years, Jim has played the roles of Fred in Noel Coward's Fallen Angels, Arthur Boggis in The Accrington Pals, Doctor Einstein in Arsenic And Old Lace and, most recently, Bruce Fairlight in The Vortex.


Mercy Lewis: Alexandra Johnston
Mary Warren
Ellie Gee
Ellie Gee. Actor.

Ellie Gee
Actor: Much Ado About Nothing; Two; Canterbury Tales; The Importance of Being Earnest; The Crucible

Ellie is excited to be seen on stage with Canterbury Players for the first time as Hero, in ‘Much Ado about Nothing’ having previously hidden back stage in ‘Blue Remembered Hills’ and ‘Fallen Angels’.

Before moving to Canterbury for University however she appeared in both ‘A Midsummer Night’s Dream’ as Helena and ‘Romeo and Juliet’ as the Prince at Wokingham Theatre.

As a trainee primary school teacher Ellie enjoys telling people what to do and hopes one day to convert her experience with five year olds into directing actors.


Rebecca Nurse
Tessa Taylor
Tessa Taylor

Tessa Taylor
Assistant director: Lady Chatterley's Lover.
Actor: Much Ado About Nothing; Day After The Fair; Dark of the Moon; Night Must Fall; The Importance of Being Earnest, Barefoot in the Park; The Crucible

Tessa has been a Drama teacher in London and Surrey. She trained in Cheltenham from 1960-63, performed at the Everyman Theatre, and then directed school plays at the Thorndike in Leatherhead.

Moving to Canterbury in 1991, she began teaching at Chaucer Technology School, joined Playcraft and played (among other rôles) Maggie in ‘Hobson’s Choice’ and Natasha in ‘Three Sisters’. In 2007 she completed her training for the Church and left Chaucer: from the stage to the classroom to the pulpit!

For the Canterbury Players, she took part in "Much Ado About Nothing", "Day After The Fair" , "Dark of the Moon" and Night Must Fall.


Giles Corey
Sid Moon
Sid Moon. Actor.

Sid Moon
Actor: Blue Remembered Hills; Two; Canterbury Tales; Dark of the Moon; Night Must Fall; The Crucible.

My first appearance on stage since leaving school was in 2006 when I appeared in the Canterbury Festival community opera "The Promised Land" performed at the Marlowe Theatre. It was there that I met members of Canterbury Players and finding them such a friendly bunch decided to join.

Since then I have been involved in productions every year, those being "The Palace of Varieties", "Blue Remembered Hills", " Two" and the "Canterbury Tales".

Elswhere I enjoy performing in musical productions and have been in " Titanic" with Herne Bay Operatic Society. "Kentish Tales", "Drood", "Rackrent" and " I've Looked in the Window at Diamonds" with the Canterbury based Really Promising Company.

I am thoroughly enjoying the "Dark of the Moon" and thank everyone involved for allowing me to be part of it.


Francis Nurse
Hugh Elsom
Hugh Elsom. Actor.

Hugh Elsom
Actor: Arsenic And Old Lace, Barefoot in the Park; The Crucible.

To quote the bard “One man in his time plays many parts”. That can be said of the characters I have played over the last 50 years. They range from a Knight on murderous intent to the front half of a pantomime horse. However I have always wanted to act in “Arsenic and old Lace” and the character of Dr. Harper is just right for me in the twilight of my career.


Ezekiel Cheever
Phil Hadland
Phil Hadland. Actor.

Phil Hadland
Actor: Arsenic And Old Lace; Dark of the Moon; The Crucible.

After school, many years of university studies, volunteer work and pot washing, Phil eventually moved to Canterbury for a job in the local museums service in 2008. His appearance in "Arsenic And Old Lace" is his first acting role since; when at the age of fifteen he read the voice of God in a contemporary play about the birth of Christ.

He enjoys many hobbies including painting, collecting fossils, playing bass guitar and football. Phil joined the Canterbury Players in the hope of meeting some interesting, like minded people and to get some experience of acting. To that end Phil feels he has been successful.


Marshal Herrick: Geoff Morley
Judge Hathorne
James Newberry
James Newberry
James Newberry
Actor: The Birthday Party; Blue Remembered Hills; The Crucible

Until April 2006, James (Jim) had spent the past 20 years or so on an acting break between career engagements, latterly running his own management consultancy, training and coaching business, People Scope.

In his first acting life - primarily for the Cambridge University Players, at Uni in Birmingham, and the Goodrich Theatre, Putney - he got to play in different stuff: including a panoply of Shakespeares (Much Ado, As You Like It, Merchant of Venice, Hamlet), Beckett (Krapp's Last Tape), Bennett, Simon Gray, Pinter, Edward Bond, Athol Fugard et al.

In late 2005, Pinter's the Birthday Party - in all its non-sequitury weirdness - re-appeared and he started again....


Dep. Governor Danforth
Mike Ayris
Mike Ayris

Mike Ayris
Actor: La Ronde; Play It Again Sam; Arsenic And Old Lace; Day After The Fair; Night Must Fall; The Crucible.

Michael has been with the Canterbury Players for many years, first acting in Sailor Beware at the old Marlowe. He went on to study theatre at the Rose Bruford College and worked professionally for a time. His love of acting keeps him in touch with the society and he is always open to new challenges.


Sarah Good: Caron Ford-Wilson



The Crucible Poster

Extract from KM Gazette Thursday 21st June 2012

Cautionary tale about society - which could be us.
By Rosemary Walters

The grey trees set against the darkness at the back of the set illustrated well the aura of repression, hypocrisy and manipulative suggestion which Canterbury Players successfully created in their production of this study of human nature and ideological tyranny.

Paradoxically, the lighting was particularly effective in surrounding the action and dialogue with darkness, reflecting the erosion of decency and truth as the villagers of Salem in Puritan New England fell victim to the superstition, human greed, self-delusion and fear behind the infamous witch trials of the 17th century, just as Arthur Miller himself had fallen victim to the notorious McCarthy proceedings of 1950s America.

From the moment we saw a bitter and disappointed Rev Samuel Parris (Mike Rivarno) dither over the nature of his daughter’s sudden illness, the Canterbury Players showed us very scarily that individuals and their communities exist on an extremely thin veneer of civilisation. Ed Clark as John Proctor and Mike Ayris as Deputy Governor Danforth were outstanding as the protagonists in the power struggle to discern the truth. Because their characterisations were so consistent and compelling, their confrontation successfully portrayed the end result of the harrowing descent into terror.

The children of the village, ably led by Hannah Marsden as Abigail Williams, were deviously convincing as person after person found themselves accused of witchcraft. Ellie Gee was very good indeed as the gradually disintegrating Mary Warren. Edward Shambrook as Rev John Hale illustrated the transition from efficient bureaucrat to agonised self-reproach and Tessa Taylor never faltered in her portrayal of honest commonsense goodness, mirrored in the moving younger character of Elizabeth Proctor (Stella Parkinson). Whenever, she was on stage, Ruth Cameron as Tituba had a commanding presence. She was entirely believable as a woman out of her culture and a threat to the narrow-minded pseudo-respectable society to which she had been forcibly removed.

Miller’s skill in providing characters with a twist in their past or a propensity to unwittingly destroy the integrity of the present was emphasised in this excellent production by director Jill Akhurst in the pace and generally audible dialogue; hence the various ironies were not lost on an audience who appreciated the black humour of some of the lines.

We all lived with John Proctor through the terrible intensity of the final scene. The total cast are to be congratulated. They took us to a community which could be us and was entirely believable as it destroyed itself, a warning to our complacency and a challenge to our illusions.

 

 

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