Geoffrey Learner, Our Chairman and actor.
|
Geoffrey Learner
Chairman (2004 - )
Actor: Much Ado About
Nothing; Arsenic And Old Lace;
Dark of the Moon
Geoffrey began his acting career as Professor Theophilus Brainwave in
a sci-fi play at his junior school in the 1930s.
After being Secretary of his college dramatic society at university,
he became a junior school teacher and over his career directed more than
twenty plays on the school stage.
|
Retiring to Canterbury in 1989, he joined the Canterbury
Dramatic Society in 1998 for a production that never reached performance.
As Secretary, he helped to bring about the reuniting of C.D.S. with
Playcraft in 2003 and established the pattern of regular performances
before the public at the Gulbenkian Theatre, the Whitstable Playhouse
and other venues.
He has appeared in seven productions of the group and directed the performance
of the play ‘597’ connected with the unveiling of the statues,
in Canterbury, of Ethelbert and Bertha by Prince Michael of Kent in May
2006. Geoffrey appeared as Signor Antonio in Much
Ado About Nothing and Mr Witherspoon in Arsenic And Old Lace.
|
GEOFFREY LEARNER'S REVIEWS:
"All the actors demonstrated the hilarity of Kesselring's marvellous
play."
(Arsenic And Old Lace, reviewed by Nina Del
Gedoe, Kentish Gazette.)
DEREK STANDING'S REVIEWS:
"The set and costumes were spot on, creating the period perfectly ...."
(The Vortex reviewed by Sian Napier )
".... Docklands flat, brilliantly designed by Derek Standing, in which the
play was set."
(RolePlay, reviewed by
Elaine Godden, Kentish Gazette.)
"This was an adventurous undertaking and the Players once again
exhibited their exhilirating grasp of a challenge and professional skills in realising
its success."
(La Ronde, reviewed by Elaine Godden,
Kentish Gazette.)
"Derek Standing's sets were professional and worked faultlessly, and
the special effects of smoke and thundering guns gave a terrifying reality to
the scenes at the Battle of the Somme."
(The
Accrington Pals reviewed by Elaine Godden, Kentish Gazette.)
"Derek Standing's set was eye-catching..."
(Play It Again Sam, reviewed by
Elaine Godden, Kentish Gazette.)
"Derek Standing's early modernist set .....................
contributed to a stunning production."
(Fallen Angels, reviewed by Delia
Dengeon, Kentish Gazette.)
"Derek Standing's simple and effective set also worked well."
(Blue Remembered Hills reviewed by Sian Napier,
Kentish Gazette.)
"Elegance and simplicity prevailed in Derek Standing's fine set..."
(Much Ado About Nothing reviewed by Annie
De Lodge, Kentish Gazette.)
"Set design by Derek Standing was simplistic yet effective,
portraying the wilderness of the southern plains."
Dark of the Moon reviewed by Nerissa Blower.
"The opening scene is their empty flat, inventively designed by Derek
Standing, both before and after their furnishings arrive."
(Barefoot In the Park.)
Ian Burroughs, Honorary Secretary, performance director and actor.
|
Ian Burroughs.
Secretary.
Actor: Much Ado About
Nothing, Dark of the Moon
Performance director: Seasons
Greetings; The Birthday
Party; Gosforth's Fete;
Play It Again, Sam ; Arsenic
And Old Lace, Barefoot in the Park.
Ian is one of the major stalwarts of the Canterbury Players, working
hard behind the scenes to ensure everything runs smoothly: organising
sponsorship; publicity; ticket sales; venues; taking part in the choice
of performances and a great deal more besides.
His first production, as a director with the Players, was Alan Ayckbourn's
"Seasons Greetings".
This was a joint production between Playcraft and Canterbury Dramatics
Society, before their merger into The Canterbury Players. Since then,
he since been involved in one way or another with virtually every - if
not all - productions. This includes directing "When we are
Married" in November 2004; Harold Pinter's "The
Birthday Party" and later, Alan Ayckbourn's "Gosforth's
Fete", here giving a few of the newer members the opportunity
to take their first tentative steps on stage - after which they have never
looked back. |
IAN BURROUGHS' REVIEWS:
"PINTER is a challenging undertaking for any company; this cast of the The
Birthday Party met it confidently from the outset on a drab, late-50s set."
"Pinter's characteristically empty dialogue between the frumpish, middle-aged
seaside couple played convincingly by Patrick Folkard and Sarah Gooch."
"All-in-all this was a thoughtful, successful production."
(The Birthday Party reviewed by Elaine
Godden, Kentish Gazette.)
"....... colourful, hilarious and undoubted success of this production."
(Play It Again Sam reviewed by Elaine
Godden, Kentish Gazette.)
".....distinguished director and actor Ian Burroughs gave a few giggles
as the bewildered Mr Leafy."
Dark of the Moon reviewed by Nerissa Blower.
"Every actor in this production demonstrated both comedic and dramatic qualities in a play impeccably directed by Ian Burroughs, assisted by Huw Jones."
(Barefoot In the Park.)
Huw Jones
|
Huw Jones
Assistant Director: Barefoot in the
Park.
Huw is an experienced theatre professional who has directed over 200 productions,
many with non-professionals.
Trained at Central School of Speech and Drama, he has taught drama in
schools and colleges, been Portsmouth’s drama advisory teacher,
and for 15 years was Director of Portsmouth Arts Centre.
Before moving to Kent, he ran his own company, Mansel Productions, undertaking
a variety of projects in Hampshire and abroad, in Warsaw, Poland. Currently
Head of Drama at Kent College, Canterbury.
Huw has recently joined the Players, becoming Assistant Director for
Barefoot in the Park. He will
be directing Lady Chatterley’s
Lover in Spring 2012
|
HUW JONES' REVIEWS.
"Every actor in this production demonstrated both comedic and dramatic
qualities in a play impeccably directed by Ian Burroughs, assisted
by Huw Jones."
(Barefoot In the Park.)
Pip Piacentino
Read more about Pip?
Click HERE |
Pip Piacentino
Committee Member
Actor: Play It Again Sam;
Arsenic And Old Lace
Performance Director: The
Accrington Pals, Fallen
Angels; Dark of the Moon;
Pip fell in love with Britain when stationed here with the US Navy and
decided to make it his home. His links with Kent, especially Deal, stretch
back to 1964.
Pip first appeared on stage in New York when his father brought the
three-year old Pip on stage to liven up his act. He is equally at home
as an actor, director or playwright. A member of the South London Theatre
Centre, he directed many plays for them including Peter Whelan’s
"The Accrington
Pals" which he also directed in April 2007 with Canterbury Players.
Pip is to direct Canterbury Players in "Fallen
Angels" by Noel Coward. |
PIP PIACENTINO'S REVIEWS:
"This was a resoundingly successful production of a play that could,
without the company's dramatic skills, have floundered in the first act."
(The
Accrington Pals reviewed by Elaine Godden, Kentish Gazette.)
"It's no coincidence that Allan' name echoes the surname of the playwright
Woody Allen, wonderfully captured in this production by Pip
Piacentino, encapsulating Allen's personality, by turn self-deprecating and
Bogartesque."
(Play It Again Sam reviewed by
Elaine Godden, Kentish Gazette.)
"..... and Pip Piacentino's skilled direction all contributed to a stunning
production"
(Fallen Angels, reviewed by Delia
Dengeon, Kentish Gazette.)
"All the actors demonstrated the hilarity of Kesselring's marvellous
play."
(Arsenic And Old Lace, reviewed by Nina Del
Gedoe, Kentish Gazette.)
Sharon Gair. Our Treasurer and an actor.
|
Sharon Gair
Treasurer
Actor: Much Ado About
Nothing; The Accrington
Pals; Bazaar and Rummage; Night
Must Fall.
Sharon has recently returned to acting, after having a break in 2005/06
to undertake real-life motherhood! She returned in 2007 as Annie Boggis
in ‘The Accrington
Pals’.
Whilst she has enjoyed all her roles over the years, from Rattigan to
Coward, some of Sharon’s real favourites are: Linda Loman in ‘Death
of a Salesman’, Muriel Wickstead in ‘Habeous Corpus’,
Alison Porter in ‘Look Back in Anger’, Elvira in ‘Blithe
Spirit’ and Sybil Railton-Bell in ‘Separate Tables’.
It has been interesting for her to revisit “Night
Must Fall”; in 1995 she played the part of Olivia Grayne.
She is also Treasurer for the Players.
|
SHARON GAIR'S REVIEWS:
"The most powerful acting was from Sharon Gair as Annie, despite some awkwardness
as she manhandled her son, Reggie. As the bitter wife of the naive and gentle
Arthur her twisted features, spat out lines and final, anguished breakdown, were
disturbing to watch."
(The
Accrington Pals reviewed by Elaine Godden, Kentish Gazette.)
SARAH GOOCH'S REVIEWS:
"Pinter's characteristically empty dialogue between the frumpish, middle-aged
seaside couple played convincingly by Patrick Folkard and Sarah Gooch."
(The Birthday Party reviewed
by Elaine Godden, Kentish Gazette.)
"This was a resoundingly successful production of a play that could,
without the company's dramatic skills, have floundered in the first act."
"Sarah Gooch played May with harrowing conviction...."
(The
Accrington Pals reviewed by Elaine Godden, Kentish Gazette.)
"This was an adventurous undertaking and the Players once again exhibited
their exhilirating grasp of a challenge and professional skills in realising its
success."
(La Ronde, reviewed by Elaine Godden, Kentish
Gazette.)
"This is no romanticised view of childhood and this came over convincingly
in the performances by all the actors........... .............. who took on this
difficult task and rose to the challenge."
(Blue Remembered Hills reviewed by Sian Napier,
Kentish Gazette.)
"Sarah Gooch, mistress of comedy, could have
given Beatrice a touch more subtlety, but nevertheless commanded the stage in
her scenes."
(Much Ado About Nothing reviewed by Annie
De Lodge, Kentish Gazette.)
"In Sarah Gooch’s production there was a full
cast but with a minimal but effective set and no props at all it must still have
been a daunting enterprise. Nevertheless, it was directed with indisputable success."
(TWO, reviewed by Diane Ogleden.)
Stephen Lamyman
|
Stephen Lamyman
Actor: Pint Sized Henry V, Barefoot
in the Park.
Stephen has been with the Players for just over a year having joined initially as a social member. He has thoroughly enjoyed his acting experience in Pint Sized Henry V and is very much looking forward to a new challenge in Barefoot
in the Park. He has felt very welcome from everyone he has met through the Canterbury Players and has enjoyed the Social and Work side of the group. Stephen, as ever will put as much energy and vigour into his performance as possible, and hopes that even without the 3 course dinner supplied with Pint Sized Henry V; people will still enjoy watching it.
The only review we could find of Stephen comes from Mr Shorrock; a Year 7 History teacher who states “Stephen is an excellent pupil who unfortunately distracts others, perhaps more time studying and less time talking would prove him well.” What this says about his acting credentials we are unsure, but serves to know the man none the less. |
STEPHEN LAMYMAN'S REVIEWS:
"The acting skills of ........... Stephen Lamyman
..............., were revealed when each one was convincingly near to collapse
after climbing innumerable flights of stairs to get there."
"Their tempestous row was performed impressively and followed by chilling
silences...."
"Every actor in this production demonstrated both comedic and dramatic
qualities in a play impeccably directed by Ian Burroughs, assisted by Huw Jones."
(Barefoot In the Park.)
Sally Parker. Actor.
|
Sally Parker
Actor: Bazaar and Rummage; Roleplay;
La Ronde, Two;
The Vortex, Night
Must Fall, Barefoot in the Park.
Sally made her stage debut as Noddy at FHODS Little Theatre at the age
of ten, and on leaving school played Honey in "Who's Afraid of Virginia
Woolf". She made connections with CDS while acting in "Sir Gawain
and the Green Knight" and was immediately cast as the prompt for
"Dr Faustus". She went on to play Pattie in "Season's Greetings",
Dr Scott in "Who's Life is it Anyway", Olivia in "Twelfth
Night", Julie-Ann in "Roleplay", Ilsa in "La Ronde",
Bell-Bell in "Bazaar and Rummage",
the Landlady in "Two" and Olivia in Night Must Fall.
Sally is currently a full-time mother.
|
SALLY PARKER'S REVIEWS:
"Sadly there is not space to mention everyone but this was a powerful drama in which the whole cast rose to this difficult challenge."
(The Vortex reviewed by Sian Napier )
"Ayckbourn's drama (RolePlay) is typically, more than a riotous comedy. An
unerring psychological insight which works alongside the crazy actions of his
dysfunctional characters and this production was hugely successful in provoking
thought as well as providing entertainment."
"Sally Parker must have subdued a large chunk of herself to play the neurotic
frump Julie-Ann so convincingly, yet at the same time win sympathy in her futile
psychological battle against Paige, the hard faced tart."
(RolePlay, reviewed by Elaine
Godden, Kentish Gazette.)
"Foremost was Sally Parker as Ilse, the Sweet Girl."
(La Ronde, reviewed by Elaine Godden,
Kentish Gazette.)
"After the sour bickering of the two proprietors between the appearance
of their clients, a small boy enters, the catalyst who reveals the cause of their
disharmony. The unveiling of the suppressed misery of losing their young son was
the heartbreaking climax of the play and both Geoff Dale and
Sally Parker were utterly believable in their desolation."
(TWO, reviewed by Diane Ogleden.)
"Their tempestous row was performed impressively and followed by chilling silences, and Corrie's devastation when Paul leaves was compellingly conveyed when she seeks her mother's advice"
"Sally Parker, as Corrie, however, was oblivious of all the apartment's imperfections, a hyperactive unexploded - as yet - bomb."
"Every actor in this production demonstrated both comedic and dramatic qualities in a play impeccably directed by Ian Burroughs, assisted by Huw Jones."
(Barefoot In the Park.)
|
Mark Charles Smith
Actor: For Canterbury Players Gosforth's
Fete; La Ronde; Fallen
Angels; The Accrington
Pals; Much Ado
About Nothing; Arsenic And Old
Lace; Dark of the Moon, Night
Must Fall; The Importance
of Being Earnest, Barefoot in
the Park.
Sound Engineer for Blue Remembered
Hills.
For Chilham Players: Seasons Greetings
For Kent Shakespeare Company: Twelfth Night.
A monologue orator for The
Penis Monologues for the theatre company, Unfinished
Business
Mark has appeared in a number of Canterbury Players productions, as
well as end of year short films at universities in Canterbury and Hastings,
as a film extra for various productions filmed in Kent including "The
Other Boleyn Girl", "Wild Child", the 2011 production of
"Tinker, Tailor, Soldier, Spy", as a player in a Chris Tarrant
TV programme, as a major player in a KETV
production called 'The Sea Shall Have Them' and recently took part in
a pilot for a new sitcom aimed at getting onto the UK terrestrial channels.
Mark is looking for more TV and film work to get him out of the office
once in a while.
My Facebook page.
Links to recent videos:
http://www.youtube.com/watch?v=LY9qcWjPomk
http://www.youtube.com/watch?v=EwE-cdMAu88 |
MARK SMITH'S REVIEWS:
"Other members of the cast were only slightly less convincing in their roles
and each had credible qualities: ...... Mark Smith's Soldier's
callous but sexy disregard."
This was Mark's second acting experience, the first being Gosforth's
Fete.
(La Ronde, reviewed by Elaine Godden,
Kentish Gazette.)
"In Ralph's last letter from the Somme, to his lover Eva, Mark Smith demonstrated spiritual and physical agony."
(The
Accrington Pals reviewed by Elaine Godden, Kentish Gazette.)
Mark Smith as Maurice, tantalizingly appearing only in the final scene, gave
the ex-lover all the Gallic charm needed for empathy with the besotted ladies.
(Fallen Angels, reviewed by Delia
Dengeon, Kentish Gazette.)
"All the actors demonstrated the hilarity of Kesselring's marvellous
play."
(Arsenic And Old Lace, reviewed by Nina Del
Gedoe, Kentish Gazette.)
"The acting skills of ........ Mark Smith ............
were revealed when each one was convincingly near to collapse after climbing innumerable
flights of stairs to get there."
"Every actor in this production demonstrated both comedic and dramatic qualities in a play impeccably directed by Ian Burroughs, assisted by Huw Jones."
(Barefoot In the Park.)
A review of a short film made in 2009:
"It was an intriguing short film and maintained my interest throughout.
Your performance was excellent. You can certainly can act for the camera. Not
everyone can. Every thing about your performance was right. I especially liked
your little turns to the girl every now and then and your look of despair (or
resignation) at something the girl said. You photograph well and have a most
interesting face. Your performance was solid and just what the role called for.
Well done."
Reveiwed by Pip Piacentino, Director
of, and actor in, a number of Canterbury Players performances.
Review of "The Penis Monologues" written by Danny Lee Pegg of Unfinished Business Theatre Company.

TESSA TAYLOR'S REVIEWS:
"The acting skills of ........ Tessa Taylor ..........,
were revealed when each one was convincingly near to collapse after climbing innumerable
flights of stairs to get there. "
"Every actor in this production demonstrated both comedic and dramatic qualities
in a play impeccably directed by Ian Burroughs, assisted by Huw Jones."
(Barefoot In the Park.)
Louise Gibbins. Actor. Publicity.
|
Louise Gibbins
Actor: Play It Again Sam;
Gosforth’s Fete;
The Accrington Pals;
La Ronde; Much
Ado About Nothing; Bazaar and Rummage
by Sue Townsend; Woman in Two; Day
After The Fair
Louise joined the Players in 2006 & has since been involved in several
productions.
The first was Harold Pinter’s ‘The
Birthday Party’ where she was the official teapot bearer between
Acts II & III. Following the success of teapot placement, she was
cast as Councillor Mrs Pearce in Alan Ayckborne’s ‘Gosforth’s
Fete’. Louise proved herself to be a massive hit when Charlie
Jubber (Gosforth) omitted to catch her as she fell off the podium backwards.
|
In Schnitzler's ‘La
Ronde’, she played a prostitute which was lucky as Louise was
concerned about being typecast! Louise also appeared in the production,
"The Accrington
Pals" by Peter Whelan. Here, she played Sarah, a hardworking
but fun loving mother in her late twenties.
Louise is seeking film extra work, her public profiles on casting websites
can be found HERE
and HERE.
|
LOUISE GIBBINS' REVIEWS:
"Other members of the cast were only slightly less convincing in their roles
and each had credible qualities: Louise Gibbins' Prostitute's sullen resentment....."
This was Louise's second acting experience, the first being Gosforth's
Fete.
(La Ronde, reviewed by Elaine Godden, Kentish
Gazette.)
"Louise Gibbins gave uninhibited realism, candour and dry humour to
her role as Sarah."
(The
Accrington Pals reviewed by Elaine Godden, Kentish Gazette.)
Sid Moon. Actor.
|
Sid Moon
Actor: Blue Remembered Hills;
Two; Canterbury
Tales; Dark of the Moon; Night Must Fall.
My first appearance on stage since leaving school was in 2006 when I appeared in the Canterbury Festival community opera "The Promised Land" performed at the Marlowe Theatre. It was there that I met members of Canterbury Players and finding them such a friendly bunch decided to join.
Since then I have been involved in productions every year, those being "The Palace of Varieties", "Blue Remembered Hills", " Two" and the "Canterbury Tales".
Elswhere I enjoy performing in musical productions and have been in " Titanic" with Herne Bay Operatic Society. "Kentish Tales", "Drood", "Rackrent" and " I've Looked in the Window at Diamonds" with the Canterbury based Really Promising Company.
I am thoroughly enjoying the "Dark of the Moon" and thank everyone involved for allowing me to be part of it.
|
SID MOON'S REVIEWS:
"This is no romanticised view of childhood and this came over
convincingly in the performances by all the actors........... .............. who
took on this difficult task and rose to the challenge."
(Blue Remembered Hills reviewed by Sian Napier,
Kentish Gazette.)
JIM AKURST'S REVIEWS:
"Sadly there is not space to mention everyone but this was a powerful drama in which the whole cast rose to this difficult challenge."
(The Vortex reviewed by Sian Napier )
"....and Jim Akhurst playing Arthur, were convincingly sensitive in their
roles."
(The
Accrington Pals reviewed by Elaine Godden, Kentish Gazette.)
"Of the supporting roles, Jim Akhurst played Julia's husband Fred with
gentle reasonableness"
(Fallen Angels, reviewed by Delia
Dengeon, Kentish Gazette.)
"...... in this role was outstanding as was Jim Akhurst
as plastic surgeon Dr Einstein."
(Arsenic And Old Lace, reviewed by Nina Del
Gedoe, Kentish Gazette.)
Sally Brown
|
Sally Brown
Director: The Importance
of Being Earnest.
Actor: Two; Arsenic
And Old Lace; The Vortex; Dark
of the Moon;
Stage Manager: The Canterbury Tales
Sally first acting role was as Narrator in the Nativity play Babushka.
She was offered the lead, but refused on the account that she would have
to wear a dress. Dresses were for girls.
She has stuck to her principles and has played roles such as Puss in
Boots (shorts & fur), Frauline Kost in Cabaret (dressing gown) and
Edward in Henry VI (fetching trouser suit with deadly weapon accessorises).
Only since joining the Players in 2009 has she been cast as a female character
requiring a dress.
Sally studied drama at Aberystwyth university, and her career as a Performing
Arts Teacher eventually moved her down to Kent a couple of years ago.
Trying to ‘make it’ as an author, she is currently studying
for a MA in Creative Writing and teaching English in Canterbury.
Sally recently directed 'The
Importance of Being Earnest' which was enjoyed greatly by cast, crew
and audience alike. |
SALLY BROWN'S REVIEWS:
"Sadly there is not space to mention everyone but this was a powerful drama in which the whole cast rose to this difficult challenge."
(The Vortex reviewed by Sian Napier )
"..... Elaine, compellingly acted by Sally Brown."
(Arsenic And Old Lace, reviewed by Nina
Del Gedoe, Kentish Gazette.)
Jill Akhurst. Actor. Director.
|
Jill Akhurst
Director – Palace of Varieties; Bazaar and Rummage; Night Must Fall.
Director's Assistant The
Accrington Pals
Singer of saucy songs; Actor Fallen
Angels; Two; Arsenic
And Old Lace; The Vortex; Dark of the Moon
I directed Night Must Fall twenty years ago in London, where it was a great success. I had a good cast then, but I've got an even better cast now. This is a superbly written play which, with good actors, cannot fail to keep the audience in a state of suspense right up until the last moment
Jill recently appeared at the Gulbenkian as Clara in The Vortex by Noel Coward and has sung the part of Lotte Lenya in “I’ve Looked in the Window at Diamonds” for the Really Promising Company.
One of her favourite roles was as Aunt Abby in Arsenic
And Old Lace for the Canterbury Players in October 2009. |
JILL AKHURST'S REVIEWS:
"Jill Akhurst as Clara, gave another totally natural performance."
(The Vortex reviewed by Sian Napier )
"...and Jill Akhurst's expressive facial and body language conveyed
every nuance of the maid Saunders' contempt for the gentry."
(Fallen Angels, reviewed by Delia
Dengeon, Kentish Gazette.)
"Outstanding among then was Jill Akhurst’s old woman drinking her
regular Guinness, the only reward at the end of each day after caring for a senile
and incontinent husband. Akhurst gave her character immense pity, love and supreme
dignity despite the wretched details of her drudgery."
(TWO, reviewed by Diane Ogleden.)
"Martha (Ruth Cameron) and Abby (Jill Akhurst) were
captivating."
(Arsenic And Old Lace, reviewed by Nina Del
Gedoe, Kentish Gazette.)
TONY JOHNSON'S REVIEWS:
"Tony Johnson played the languid and camp Pawney to perfection, having many of the typically witty Coward lines."
(The Vortex reviewed by Sian Napier )
"Tony Johnson and Irene Marley were hilarious as Julie-Ann's
parents; two provincial bigots ultimately succeeding in conducting their daughter's
life."
(RolePlay, reviewed by Elaine
Godden, Kentish Gazette.)
"Tony Johnson's Leonato was a less dramatic
part but was also consistently sympathetic and convincing."
(Much Ado About Nothing reviewed by Annie
De Lodge, Kentish Gazette.)
"Tony Johnson in this role was outstanding...."
(Arsenic And Old Lace, reviewed by Nina Del
Gedoe, Kentish Gazette.)
"Every actor in this production demonstrated both comedic and dramatic qualities in a play impeccably directed by Ian Burroughs, assisted by Huw Jones."
(Barefoot In the Park.)
Alison Rook
|
Alison Rook
Actor: Dark of the Moon
This is Alison’s first role with the Canterbury Players (and possibly her last….) After appearing in plays at school, she did not do any acting for a long time. Instead, singing in a choir seemed to provide the performance fix. But in 2006 she took part in the chorus of ‘Promised Land’, at the Marlowe Theatre, part of the Canterbury Festival and a great experience. After that, Jill Ackhurst invited her to sing ‘Only a Faded Rose’, a tear-jerking spoof Victorian ballad, in The Palace of Varieties in Canterbury 2007. This was a great success, and led to her joining the Players.
Recent work with the company has been Prompt for The Vortex (2009) and the ongoing job of sorting out the company’s stage costumes, after some years of neglect. This has been good fun and Treasures Have Been Found. Some of them are appearing in this production, also Alison’s first outing as a costume person. |
Gill Moon
|
Gill Moon
Actor: Dark of the Moon; Night Must Fall.
This is Gill's first attempt at acting since joining the Canterbury Players in 2007 when she appeared in Palace of Varieties.
Gill met several Canterbury Players members while appearing in the community opera Promised Land which was part of the 2006 Canterbury Festival. This venture led to the forming of The Really Promising Company in which Gill has appeared in several shows.
She also appeared on stage as a slave with Ellen Kent's Moldovian Opera Company in Aida at the Marlowe theatre, and as a dead sailor singing Bright Eyes with the Spy Monkeys at the Gulbenkian Theatre in 2009.
This play appealed to Gill because of the fun of a barn dance and the church revival scene. So she was tempted to have a go!
Since joining Canterbury Players Gill has made many good friends and shared a lot of memorable times. She is thoroughly enjoying being part of Dark of the Moon production.
Gill
|
Becky Lamyman
|
Becky Lamyman
Actor: Dark of the Moon; Pint
Sized Henry V;
Assistant Director/Stage Manager. The Importance of Being Earnest
Dark of the Moon will be Becky's first foray into grown up theatre, with her previous experience being focussed around school plays, including "Trolls", "The Wiz" and "Do We Ever See Grace?" where she played an 11 year old suicidal clown. This role clearly traumatised her and she gave theatrics a wide birth until her third year studying Classics and English at the University of Kent where she directed/produced and acted in the student Christmas panto.
Becky currently works at Christ Church Students' Union and joined the Players in the summer of 2010 helping out backstage at the production of "The Vortex".
She is thrilled at joining the cast of the "Dark of the Moon", and hopes to do the Players proud.
Becky would like to take this opportunity to thank the Players for their warm welcome. |
Richard Vince
|
Richard Vince
Actor: Dark of the Moon; Pint
Sized Henry V; The
Importance of Being Earnest
Richard thought he had achieved all his acting ambitions in his very first play, when he played a tree in a school production in Aladdin. Not one to take this early peak as a sign to get out while the going is good, he spent most of his school and university days appearing in and/or directing amateur productions on stage and film, as well as a brief stint as a supporting presenter on BBC Radio. During this time, he noticed a worrying trend where he started life being cast as naïve innocents and heroic roles before transitioning to almost exclusively villains, murderers and mad men. The pyschological and personality implications of this shift are ones he chooses to avoid….
After a few years ‘out of the game’, he has started to make use once again of those creaky acting muscles and his studies in drama at the University of Kent and joined the Canterbury Players. He was thrilled to have been made to feel so welcome, forming many enew friendships, and to be cast in his "Dark of the Moon" (as the villain!). He is currently throughly enjoying working with the cast and crew of "Pint Sized Henry V" and "Importance of Being Earnest", where he gets to enjoy on set costume changes, multiple roles/accents, a rugby match, trivial behaviour, romance, comedy and sudden revelations. Or, as he calls it, Tuesday evening.
|
RICHARD VINCE' REVIEWS:
"Richard Vince belted out Bible verses in spectacular fashion as
Preacher Haggler ..."
Dark of the Moon reviewed by Nerissa
Blower.
Susanna Gerken
|
Susanna Gerken
Costumes.
Assistant Director / Stage Manager: The
Importance of Being Earnest
Susanna first trained as a teacher and then studied languages and drama
in Italy. She lived abroad for many years and has performed in different
amateur groups.
Since coming to live in Canterbury she has joined the Players and designed
the costumes for "The
Birthday Party"; La Ronde";
"Play It Again Sam"
and "Fallen Angels".
Susanna is a very welcome addition to the Players.
|
SUSANNA GERKEN'S REVIEWS:
"This was an adventurous undertaking and the Players once again exhibited
their exhilirating grasp of a challenge and professional skills in realising
its success."
(La Ronde, reviewed by Elaine Godden,
Kentish Gazette.)
"Susanna Gerken's delightful costumes and .........."
(Fallen Angels, reviewed by
Delia Dengeon, Kentish Gazette.)
More Canterbury Players..........
|