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The Canterbury Tales
Canterbury Tales.
The Farmhouse in Canterbury Tuesday 8th, Wednesday 9th and Thursday 10th June, 2010, as ‘café
theatre’.
Lounge on the Farm, 9-11 July, 2010.
What is it?
The production focused on just three of the tales and used the script by
Phil Wood and Michael Bogdanov. We used a lot of devising and physical
theatre, storytelling techniques in rehearsal.
Director:
The Cast:
Carole Morris
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Jo Purvis. Actor.
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Jo Purvis
Assistant Director: Day After the Fair
Actor: Canterbury Tales
Occasional Stage Manager: The Vortex
Jo has always loved the theatre and spent most of her childhood playing
various Dickensian waifs and strays.
As a natural bossy boots, she relished the opportunity to hone her organisational
skills as Assistant Director for Day After the Fair.
She is looking forward to making her first stage performance for the
Players in the Canterbury Tales and
reprising her key role of official tea-maker. |
Nigel Banks. Actor
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Nigel Banks
Actor: Much Ado About
Nothing; Two;
Canterbury Tales
Nigel comes from a theatrical family & is an experienced actor,
director & teacher. He spent over 15 years in Cumbria appearing in
over 50 productions at The Brewery Arts Centre, Kendal playing everything
from God in the Medieval morality play ‘Everyman’, to The
Devil in a large scale community show called ‘The Bogeyman’.
Other favourite roles include Lysander in ‘A Midsummer’s Night
Dream’, Jerry in ‘Zoo Story’ & Canon Throbbing in
‘Habeas Corpus’. In 1985 he directed his first full length
show, ironically, ‘Bazaar & Rummage’ by Sue Townsend which
is to be performed by the Players in 2009. Other directorial credits include
O’Casey’s ‘Shadow of a Gunman’, Arthur Miller’s
‘The American Clock’, Middleton & Rowley’s ‘The
Changeling’, Brian Friel’s ‘The Loves of Cass McGuire’
& Jim Cartwright’s ‘Two’. |
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The Pinnacle of his Cumbrian theatrical career was adapting, directing
& acting in a production of ‘Hamlet’ which toured to India
in 1994. Doing two performances in the same evening in 34C heat, wearing
RSC hired costumes certainly qualified for the “Acting under Difficulty”
heading - & that was before the Delhi Belly started taking its toll
amongst the cast!
Nigel moved to Kent in 1996 & joined Playcraft. His first role with
them was Mr Smith in Ionesco’s ‘The Bald Prima Donna’
directed by Stewart Ross. He then played the title role in ‘Macbeth’
appearing opposite Sarah Gooch & ‘An Inspector Calls’.
His final show for Playcraft was ‘Waiting for Godot’ by Samuel
Beckett in 2000 in which he played Lucky.
The experience of acting in a small cast production of a challenging
piece of drama alongside Alan Pope & Brian Ross led indirectly to
the formation of Ashcan
Theatre Company with which Nigel has been closely associated ever
since. He has played the roles of Michael in ‘Someone to Watch Over
Me’ by Frank McGuinness, Geraldo in ‘Death & the Maiden’
by Ariel Dorfman, George in ‘Duck Variations’ by David Maet
& most recently in March 2008, Yvan in ‘Art’ by Yasmin
Reza. He also directed Pinter’s ‘Old Times’ for the
Company & ‘On An Average Day’ by John Kolvenjach.
He is delighted to be making a return to the Gulbenkian stage in ‘Much
Ado About Nothing.’. |
Lisa Nightingale
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Lisa Nightingale
Actor: Two;
Canterbury Tales
Lisa has been acting since a very young age. She studied at the Laine
Theatre Arts school in Epsom Surrey and then gained a degree in Drama
at Rose Bruford College of speech and drama. Theatre work includes;
Fanny in Far From the Madding Crowd., A tour of the south of France
in which she played the Nurse in Romeo and Juliet. Polly in The Gut Girls
at the ICA in London. Luce in The Comedy of Errors for the Nuffield Theatre
Southampton. Mary in Low Level Panic.
Lisa helped found the IN A SPACE theatre company in 1996 where she helped
write and direct various plays; she is most proud of JANIS a play of the
life of Janis Joplin, which was performed in Brighton.
Lisa spent many years teaching drama at the Italia Conti school based
in London. Lisa has recently joined the Canterbury players. |
Sid Moon. Actor.
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Sid Moon
Actor: Blue Remembered Hills;
Two; Canterbury
Tales
Blue Remembered Hills will be Sid's first shot at straight acting (if
you forget the school nativity play). He did not start performing until
he passed 50 when he played the part of a miner in the community opera,
"Promised Land" as part of the Canterbury Festival
in 2006.
It was there that Sid met Sarah, the Director for Blue
Remembered Hills and John Rye who plays the part of Donald in this
production. Last year Sid and Gill, his wife, had great fun being part
of Canterbury Players Palace of Varieties
show.
"I would like to take this opportunity to thank all of Canterbury
Players for the warm welcome they have given us and the friendships we
have made within the society."
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Adam Summers. Actor.
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Adam Summers
Actor: Much Ado About
Nothing; Two; Day
After The Fair; Canterbury
Tales
Assistant Stage Manager: Arsenic
And Old Lace
Assistant Stage Construction and Lighting Engineer: Bazaar
& Rummage
Adam joined the Canterbury Players as a result of an email that asked
him to come along to an audition for 'Much
Ado About Nothing'. The rest as they say is history.
Adam has always loved drama and as a result, studied the subject at college.
He has appeared in a number of productions, where he has played roles
such as Hatch in 'The Sea', Algernon in 'The Importance
of Being Earnest' and Napoleon in a musical version of George
Orwell's 'Animal Farm’.
He is greatly looking forward to future productions with the Players.
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Phil Gittins
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Phil Gittins
Actor: The Glass Menagerie; Desire Under the Elms; The
Birthday Party; Much
Ado About Nothing; Arsenic And
Old Lace; Canterbury
Tales
From early school performances in “Joseph and his Technicolour
Dreamcoat” and “The Jungle Book” to a Sixth Form review
in which he played Ben, one of the “Flower Pot” men, Phil
has a long held passion for acting, performing and filmmaking.
He came to Canterbury in 1994, to study Radio, Film & Television
at Christchurch University College and following several college films
and local productions he joined the Players in 2002 for the role of Tom
in “The Glass Menagerie”.
A teacher of English, Media and Film studies, Phil enjoys cinema / filmmaking,
writing and watching football in his spare time.
Phil is excited at his first Shakespearian role!
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Ellie Gee. Actor.
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Ellie Gee
Actor: Much Ado About
Nothing; Two;
Canterbury Tales
Ellie is excited to be seen on stage with Canterbury Players for the
first time as Hero, in ‘Much
Ado about Nothing’ having previously hidden back stage in ‘Blue
Remembered Hills’ and ‘Fallen
Angels’.
Before moving to Canterbury for University however she appeared in both
‘A Midsummer Night’s Dream’ as Helena and ‘Romeo
and Juliet’ as the Prince at Wokingham Theatre.
As a trainee primary school teacher Ellie enjoys telling people what
to do and hopes one day to convert her experience with five year olds
into directing actors. |
KENTISH GAZETTE REVIEW OF CANTERBURY TALES Thurs July 1st 2010
Tales Prove Deliciously Relevant
The Canterbury Tales
The Canterbury Players
The Farmhouse, Canterbury
What do you get if you mix a three-course meal at one of Canterbury’s
best venues, some classic tales and a hilarious, tightly-knit troupe of performers?
You get the latest production from The Canterbury Players, a lively romp through
The Canterbury Tales at The Farmhouse.
The Canterbury Players left convention behind in the setting and style of
their interpretation of Chaucer’s timeless tales.
A stage mounted on one side of the restaurant stood expectantly while a delicious
dinner was served up to the audience. With the audience in high spirits, the
eight actors then took to the stage to provide the perfect after-dinner entertainment.
Chaucer’s comic Tales have lost nothing of their riotous, ribald entertainment
value (with a dose of morality thrown in for good measure).
Under Sarah Gooch’s
inspired direction, the Players pitched their performance perfectly to match,
drawing on the lively Commedia dell’Arte style and Medieval Carnival itself.
The show, though, was a real ensemble piece with the cast playing multiple
roles, bouncing ideas off each other and clearly having a lot of fun.
Music, modern references, bawdy physical gags – and even a race round
The Farmhouse on horses (well, coconut shells) – were all found in a version
of the Tales both faithful to the original, but also bearing Canterbury Players
own creative stamp.
One criticism: the modern rhyme that ran through the show reflected the Middle
English style and while providing plenty of verbal jokes, on occasion it could
seem a bit twee or monotonous, as anything might against the richness of the
original.
However, it set the pace for the evening, which became more and more energetic
(and outrageous), from The Pardoner’s moral tale of double-crossing and
murder, to The Wife of Bath’s account of “what women want”,
to the bed-hopping antics of The Reeve’s yarn.
The Canterbury Tales will be brought to life again at Lounge on the Farm (July
9-11, see www.loungeonthefarm.co.uk
for more details and to book) providing another great setting for a hugely enjoyable
show.
Reviwed by: John Prebble
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